Middle eastern music final question examples Essay Example

Middle eastern music final question examples Essay Example Middle eastern music final question examples Paper Middle eastern music final question examples Paper Essay Topic: Poetry The Egyptians and the Arab audiences in general felt connected to Kulthum because they heard their own stories in her songs and she represented and supported the Arab world through her performances One learns that her old fashioned ways included a preference to be interviewed without the means of recording t/f true Kulthum insisted that her band musicians had to learn new songs aurally she was against the use of music scores t/f true Kulthums roots were within the egyptian countryside; she was from a poor religious family She began her singing career as a child, along her fathers side, singing at religious celebrations (mulids) When she moved to Cairo in the 1920s, the city was thriving and cosmopolitan, but under British rule The technology that mostly promoted her career was radio Kulthum supported the 1952 revolution and Nasser. True or False? True Kulthum supported King Farouk and the British. True or False? False Kulthum financially supported the Egyptian government in the 1960s. True or False? True The Egyptians compared Kulthum with pyramids Kulthums stage presence: Which TWO of the following statements are true? 1. She encouraged people to dance along with her on the stage. 2. She used to hold a handkerchief as her personal trademark. 3. She looked very formal. 2 and 3 Some of the interviewees seemed eager to sing their personal Kulthum favorite song in front of the camera Kulthum was praised for her strong sense of nationalism. true Kulthums improvisational / embellishment skills are associated with: the concept and manifestation of tarab Which of the following is not a characteristic of classical music genres (consider both western and Arab classical music genres)? old, historical, large ensembles, formal context (all of the above) During the late 19th century, this music was performed in all but one of the following venues: Village/Rural weddings One of the following musical instruments is not included in the core takht ensemble: tabla The nay has a characteristic _______________ timbre. breathy The only zither chordophone in the takht ensemble is the: qanun One of the following musical genres is not part of the wasla form: shabi The highly expressive Layali (featured in track 14) is an improvisatory genre. true Track 14 is non-metrical. true Track 12 uses the __________ iqa. samai The iqa in the taqtuqa Il bahr nayim is played by the: riqq Which of the following is not an example of the expressions shouted out by the audience when experiencing tarab (refer to What makes Arab music unique on the content tab)? oh my eye what did we do to you to do this? are you trying to make us die today? (all of them) Is Music Haram? Which one of the following is true? the issue is contentious In an effort to address the issue of permissibility of music, Islamic scholars primarily look into: the quran and the hadith One of the following types of music has suffered much less from censorship that the rest: chanted poetry The following aspect is taken in consideration when examining the permissibility of a piece of music: context and content of lyrics In Turkey under Kemal Ataturk (see the related video Be Happy, its an Order on the content tab), the villagers were forced to listen to: western classical music Sufis (followers of Sufism, which is the mystical branch of Islam): embrace music as part of their rituals According to the hadith reviewed in the textbook, frame drums: are halal The interpolation of religious lyrics in a pop song is generally considered: blasphemous In Pop music; singing of a beloved homeland (see content tab), we learn that Islamic extremists banned rai claiming that: it embraced Western ways and featured sexually explicit lyrics Right after the Islamic revolution of 1979: Several Iranian singers left the country since music was banned Sherry Bijan and 3P (see their related music videos on the content tab), contemporary Iranian female singers, dont show their faces on their music videos because: if caught, they may be sentenced Iranian rap is: thriving but mostly underground Amr Diab is a singer of: shababi The song Albi ikhtarak: has similarities w/ Santanas smooth and has Latin/Spanish influences Tamally maak: is a shababi song and features a guitar The lyrics of Is salamu alaykum are more poetic that those of Tamally maak true or false false The Egyptian authorities frowned upon Hakim because of his use of the expression is-salamu alaykum shabi songs are upbeat and feature memorable choruses and have their roots in folk music Shabi emerged in the 1970s because the times were prosperous. true of false false Shabi emerged in the 1970s at a time when the Egyptians were looking for an alternative sound to that of Umm Kulthum and the old masters of tarab music. true of false true The sound of early shabi (listen to Ahmed Adawiyyas Bent El Sultan located on the content tab) sounds closer to classical Arab music with its use of a large firqa orchestra. true or false false Shabi music keeps the following musical elements of past musical traditions (tip: read textbook carefully; see close to the end of the chapter): iqa and maqam and call and response The lyrics of Hakims Il-kalam da kabir (textbook CD track 26) talk about a fathers agony in search of his lost son. true or false false Il-kalam da kabir (textbook CD track 26) features the ___________ iqa. saidi Contemporary shabi music (listen to Egypt 3 Cairo underground on the content tab): incorporates DJs and samples The shabi song Youll go to hell (listen to Egypt 3 Cairo underground on the content tab) targets singers who appear on sexually provocative music videos